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White Cloud and Mountain Snow
2009
Landscape L-029  

Sometimes I let myself relax and go with the natural flow. Let the beauty of Mother Nature strike the core of my heart, give me inspiration, and tell me its stories. Art is a freedom from within. The thought of art is direct and not contrived. I cannot verbalize artistic thought; yet the image is high and clear. Oriental philosophy considers it as epiphanic insight. If we use a poetic rather than an analytical mind, we can appreciate the beauty of art to nourish the spirit.

 

“If you keep your mind from judging and are not led by the senses, your heart will find peace.”  ~ Lao Tzu (6th century B.C.)

 

 

 

Swaying in Lotus Pond
2009
Floral F-036  

The amazing beauty of nature is beyond our imagination. A pond of water lilies with soft petals, delicate veins, and curly leaves, waving in the breeze, how pure! How clean!  Although her life is short, her beauty has not been lessened. If no one comes around to praise or admire her, she doesn’t mind. She continues to bloom and glow. In the fall, she withers, integrates with the mud, settles at the bottom of the pond, and nurtures a new life for the coming year. What message does her existence bring us?

 

“In the beginning was the TAO. All things issue from it; all things return to it.” ~ Lao Tzu (6th century B.C.)

 

 

 

Autumn
2009
Landscape L-030  

Once after a 3-day retreat, I went home to deal with the day-to-day issues again. I can’t help but feel burdened. How do we simplify ourselves? Autumn is a season of change. Recently on a trip through upstate New York, I had the opportunity to observe the changing season. I tried to find a new balance amid the busy activity of life.

 

“From the end of the sky here rises cold wind, and how it works on the frame of your mind? When will the news of you be brought me by wild goose? All along the journey there are autumn rivers.” ~ Du Fu (712-770)

 

 

 

 

Zen Painting
2009
Landscape L-031  

 “One blot of light ink, a few drops of black spots will lead one into peace.” Less is beautiful; so is the faint. When you leave out the extraneous, only the essence remains. How does this apply to one’s life?

 

“If you want to become full, let yourself be empty. If you want to be given everything, give everything up.” ~ Lao Tzu (6th century B.C.)

 

 

 

Clouds of Mist
2009
Landscape L-032  

I ask your lad beneath a pine-tree, “My master’s gone for herbs,” says he,
“Amid the hills I know not where, For clouds have profound beyond.” ~ Jia Dao (779-843)

 

The combination of concrete form and empty space are parts of the subtle Chinese aesthetics. The misty cloud and the smoke all contribute to the overall atmosphere and depth. As Wang Wei(701-761) said in his poem “The grand river flows beyond heaven and earth, distant hills float and fade.” How can we limit nature into one frame?


“The Tao is like a well; used but never used up. It is like the eternal void; filled with infinite possibilities.” ~ Lao Tzu (6th century B.C.)

 

 

 

 

 

Villiages in Mountain Mist
2009
Landscape L-033  

In Chinese painting, the open space also serves an important role. Often times the sky, clouds, fog, river, and waterfalls are represented by white space. This method gives the viewer the room for free association. Although not everything is visible in our lives, we all have a connection behind the scene. This sense of connection brings us deep contentment and trust. It serves us as the spring of life.

 

As Tao Yun Ming (365-427 AD) said “appreciate the joy of the musical instrument, why bother with the sound of the string.”

 

“Open yourself to the Tao, then trust your natural responses; and everything will fall into place.” ~ Lao Tzu (6th century B.C.)

 

 

 

Night Blooming Cactus
2009
Floral F-037  

Through the course of my readings, I read of the connection between heaven and earth, and of the past and future, all of which intertwine together as a whole. Likewise, the artist and viewer encounter each other and share a mutual appreciation through art. Painters use their heart as the brush and their feeling as the ink to create works with depth, vision and charm.

 

My 95-year-old father passed away in January of this year (2009). Since his passing a great emptiness has remained in my life. Every time when I think of his kindness, wisdom, and great love, I am moved deeply with no words. Only painting helps me express my loss. It is because of his encouragement that I began my journey in painting.

 

When the night blooming cactus started to bloom again at home one night, the blossoms formed a contrast with my father’s poems.

 

We do not live alone. We do not exist by chance. Whom we accompany with in a period of time in our life’s journey has its own “way of reason”. Love is forever, exceeding our time, beyond our understanding.

 

<曇花I>  
眾香園裡花千重,孤芳一現韻最真,
涼夜清風方舉首,月冷星稀見花魂;
無求過賞無爭寵,幽然芬芳不染塵,
莫嘆過眼花事短,玉潔光華知有人。

~周仲魯(1914-2009)

 

<曇花II>
玉容初現驚來客  轉瞬凋零空留馨
勸君應有憐芳意  一片冰心一片情
~周仲魯(1914-2009)
    
Tan Hua – the Night Blooming Cactus (1)

Among countless flowers in the garden,
Only one kind displays her true nature most.
Looking up in the cool, breezy night,
I see her baring her soul to the chilly moon and scattered stars.
She does not ask for special recognition nor solicit favors,
Just breathing her fragrant, unpolluted breathes in solitude.
Don’t pity that her life is ephemeral.
She knows someone appreciates her immaculate beauty.

Tan Hua – the Night Blooming Cactus (2)

Her graceful entrance surprises the visitor.
But she soon languishes away with only her fragrance left.
Pray you treasure her
For her pure heart, her deep love.
~ Chung-Lu Chow (1914-2009)

 

Poems translated by Ellen King

 

 

 

Rainbow in Spring Garden
2009
Floral F-038  

One flower, one tree, is one Tai Chi (Universe). Observing from the outside, then one should receive inside. Reducing complexity and following simplicity, unattached to phenomenon, obeying natural laws, returning to the unedited truth, then even the rock can please its audience without speaking a single word.

 

To see a world in a grain of sand, and heaven in a wild flower;
Hold infinity in the palm of your hand,
and eternity in an hour.

~ William Blake

 

 

 

 

 

Sea Waves amid Mountains
2009
Landscape L-034  

Enjoying a painting, listening to a melody, reading a good article, experiencing a wonderful moment, these activities all touch our inner feeling. Beauty, although conspicuous, can be hard to convey through words. Tao Hung Jing (456 – 536 AD) said in his poem: “What are there in the mountains? There are white clouds above the Ridge. I can enjoy them myself. I hesitate to present them to you as a gift.”

 

Yet here I am trying to capture the scene I saw when I visited Yellow Mountain in China years ago and present it as my gift to you.

 

 

 

 

Revolving
2009
Landscape L-35  

Boundless plain,
Chilly river,
Grouped geese in migration.

Underneath flowering reeds,
Returning boats are mooring near.

 

It is said: The secret of Tao lies in returning cycles.

 

 

 

Summer Rhapsody
2008
Floral F-031  

 

There are summer passions in the lotus pond. Flowers of the day accompany flowers of tomorrow and yesterday, wavering gently in the summer breeze and smiling to each other. A pair of mandarin ducks swims into the picture and a dragonfly catches her attention while our eyes follow their motion. The kingfishers under the green reaching leaf are willing to share their catch. Every captured moment is an adventure into possibilities.

 Have you heard their chatting? Can you smell the fragrance? What is it that we are not seeing?

 

 

 

9 Good Wishes
2008
Animals, Birds & Insects AB-026  

 

Chinese symbolic language and art forms are used to express good wish concepts. They originate from religion, myths and legends as well as from the phonetic sound of the prose.
Nine generally refers to “a great many”. “9 wishes” was a prayer for Heaven’s protection which taken from the Tianbao Ode in the Xiaoya Section of the Book of Songs.
 
The fish swims happily in the water, in harmony with its environment.  They are symbols of bliss and abundance, same as its phonetic sound “yu

This is an auspicious painting especially for a prosperous New Year.

 

 

 

6 Cranes Heralding Spring
2008
Animals, Birds & Insects AB-024  

 

The crane is a play on image for gathering and harmony (same phonetic sound “he” in Chinese).


It is a symbol of immortality because its white feathers stand for old age, and the ancient Chinese believe that it could live for one thousand years or more.


The six cranes symbolize for the 6 realms as well as harmonious gathering they are dancing under the plum blossom to welcome spring.

 

 

 

A Rendezvous of Lovers in Heaven to the Melody of Queqiaoxian
2008
Animals, Birds & Insects AB-025  

 

Beautiful clouds made magic patterns. 
The two stars, the Cowherd and the Weaver Maid,
had ever shown their agony at their long separation. 
Now they crossed the wide Milky Way to meet in the dark night: 
Such a meeting in the autumnal weather is far better than any other on earth.

The tender feeling of a lover is as gentle as water. 
Their happy rendezvous seemed dreamy and fleeting. 
Who could have the heart to look backward at the way from whence
they came on the Bridge built by magpies? 
But an everlasting love would not care getting day and night.

~ Qin Guan (1049-1100)

 

The seventh night of the seventh moon when the lengendary Cowherd and Girl Weaver meet each other for their once-a-year rendezvous over a bridge formed by sympathetic magpies over the Milky Way. The day is a festival for girls and yound lovers as Chinese Valentine's Day.

 

This is a heavenly concept of prayer for the grace of love.

 

 

 

Peacock - The Cultured Bird
2008
Animals, Birds & Insects AB-022  

 

The Book of Changes labels the peacock a cultured bird.  The peacock has nine virtues: proper appearance, clear voice, graceful walk, punctuality, restrained appetite, contentment, loyalty to its group, morality, and the ability to learn from its faults.

 

The peacock feather, together with the coral hat knob, is part of the costume for a civil official of the first rank.  They therefore represent the highest rank.

 

In the painting the peacock surrounded by other creatures … his virtues make him a leader by which all might look to him for a path to enlightenment.

 

 

 

 

Picture of the Five Relationships
2008
Animals, Birds & Insects AB-022  

Phoenix (ruler & officials)
Cranes (father & son)
Mandarin ducks (husband & wife)
Wagtails (brothers & siblings)
Orioles (friends) 


The painting shows the phoenix beneath a Chinese parasol tree twisting its head to look at the rising sun.  He is accompanied by pairs of cranes, mandarin ducks, and other birds. The phoenix ranks first among birds, when it flies, the rest of the birds follow. Because the phoenix appears only during peaceful reigns, it is closely connected with the ruler.  In the painting it stands for the relationship between a ruler and his officials. According to the Book of Changes when the father crane calls, his son harmonizes with his cries. Therefore cranes represent the relationship between father and son. Mandarin ducks mate for life; they symbolize the relationship between husband and wife. The Book of Odes compares wagtails to the relationship between brothers. The relationship between friends is represented by the orioles. When the oriole sings, it seeks the voices of its friends.

 

 

 

It is the Divine Nature that weaves a bridge to travel to greater possibilities.
To emerge from the creative mind a deeper richer connection to community of love.
The color and space presents images to evoke humility to the Giver of the very world in which we imbibe.

Blessed Be the Creator and all the Creatures within His care.

 

   
     
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